Showing posts with label musique concrete. Show all posts
Showing posts with label musique concrete. Show all posts

Storm Bugs - Storm Bugs

 

Side A

1 Untitled

2 Our Main Objective

3 Blackheath Incident

 

Side B

1 Hiemal/Window Shopping

2 Outburst

3 Hodge


All tracks and music by Philip Sanderson except Untitled which features Sarah Pomeroy on Cello. 


Credits:

Format: Cassette, 5-10 copies

Release Date: 1981

Label: Snatch Tapes

Catalogue Number: SS1

Sleeve Design: Philip Sanderson. Photocopy onto white card. Photograph taken by David Scholefield in Maidstone

 

Notes:

A compilation of tracks By Storm Bugs many of which had been previously released. The Hiemal/Window Shopping track is a unique mix and was used as the soundtrack to the Storm Bugs film Table Matters by Steven Ball. This was re-issued on the 40th anniversary CD of a A Safe Substitute. Similarly the mix of Our Main Objective differs from other versions.  


Various - Snatch 1

Side 1

Karl's Empty Body - 1441

N4's - N4's

Storm Bugs - Hodge

 

Side 2

Steven Reynolds

Claire Thomas & Susan Vezey - Under Press of Sail

A Clough - Untitled



Credits:

Format: Cassette, 50 copies

Release Date: 1979

Label: Snatch Tapes

Catalogue Number: None

Sleeve Design: Photocopy onto white paper, design by Philip Sanderson, photo by Sally Francis

 

Notes:

The first ever Snatch Tape kicks off with the DIY pop of Karl's Empty Body, a fairly straightforward number, nicely mangled by being fed through a couple of VCS3 ring modulators. The N4's feature some sweet blister guitar (Neu with a drum machine?). Side one rounds off with the Storm Bugs number 'Hodge' again featuring that great British synth the VCS3. Side 2 has the first outing for those fictitous knob twiddlers Claire Thomas & Susan Vezey. The side ends with a melancholic piece of morse interference by A Clough. The tracks by Karl's Empty Body, The N4s, A Clough, and Claire Thomas & Susan Vezey were all later included on the Vinyl on Demand LP Snatch Paste.


Various - Cassette Culture - Homemade Music and the Creative Spirit in the Pre-Internet-Age

CD1

10-Speed Guillotine - Temper Tango 

Aconite (2) -The Truth About Cable TV 

Another Headache - Cacophony Continues 

Autopsia - Lebensherrgabe 

Beequeen - EE EA 

Big City Orchestra - Karawane 

Bret Hart - Partytime 

Brume - An Amphibian 

Cacophony 33 - Frank 

Charles Rice Goff III - Big Surprise 

Dog As Master - Black Body (Excerpt) 

Don Campau - 'I Am Not Satisfied 

E Coli - Lag Phase / Djihad 

E G Oblique Graph - Fall Into Glass 

F-i - Zombie 

Gen Ken Montgomery - It Happened To You 

Girls On Fire - In My Blood 

If,Bwana - Beauty And The Beast 

ITN / Mental Anguish - Frce Of Waves (Edit) 

Jeff Central - Tragick 

Joseph K Noyce - The Beat 

Kapotte Muziek - Audio Plagio 2 

Ken Moore - Soft Pretense 

  

CD2

Larynx - Graett 

Lord Litter - St James Infirmary 

Markus Schwill - The Advantage Of Tape-Music 

Minoy - Eskalith 

Monochrome Bleu - Imagination 

Muslimgauze - Cyst 

Mystery Hearsay - Painted 

Non Toxique - Lost Statements 

PBK - Untitled 04 

Philip Johnson - Two Tracks Unused At The Time 

Psi Nukli - Trip Sequence II 

R Stevie Moore - Puttin' Up The Groceries 

Ri Gillham - Soundtracks For Imaginary Films 

Rimbaud Brothers - Deceit 

Rod Summers - Sad News 

Sheer Zed - Take A Walk Down The Street 

Storm Bugs - Hodge 

Taste Of Stool - Squeeze Bees 

Viktimized Karcass - 3.32 AM Rain 

Vittore Baroni - Living With Prosthesis 

Walls Of Genius - Sunday, Monday Or Always! 

Wolfgang Wiggers - I'll Cry Tomorrow 

2-23 -Years On Earth -Opposition

 

Credits:

Format: 320 page book by Jerry Kranitz with 2 x CD

Release Date: 2020

Label: Vinyl on Demand

Catalogue Number: VOD158

Sleeve Design: Jelle Martensn

 

Notes:

A book on cassette culture with accompanying 2 x CD set. Includes the Storm Bugs track 'Hodge'.

David Jackman - Up from Zero

Tracklist:

Ways To The Sea 

Threshold 

Up From Zero

Offshore

 

Credits:

Format,: CD 500 copies

Release Date: 2003

Label: Robot Records 

Catalogue Number: RR-31

Sleeve and label Design: David Jackman

 

Notes:

Up From Zero was originally released in 1982 on cassette (Aeroplane Records AR3, UK), This CD re-issue also includes 'Offshore' (1980) a collaboration with Philip Sanderson which first appeared on the David Jackman Snatch Tape, Ritual (TCH211). The cover shows David from sometime in 1979/80.

  

Storm Bugs - Supplementary Benefit

Side A 

1 Cash Wash 1:41

2 Eat Good Beans 1:59

3 Make Customers Matter 2:09

4 Window Shopping 2:06

5 Our Main Objective 4:44

6 Car Situations 3:20

7 Tin 2:54

8 Aboulia 19 1:06


Side B

1 Hodge 6:41

2 Slip Slap 1:36

3 Hiemal (And She Blew) 4:51

4 He Rose Up Again 3:08

5 Slow Along the Wire 1:24

6 Blackheath Episode 4:44

 

Tracks A1, 2, 3, 4, 5, 8, B1, 3, 4, 5, 6 by Philip Sanderson. Tracks A6, 7, B2 by Philip Sanderson & Steven Ball.

 

Credits:

Format: LP, 500 numbered copies

Release Date: 2007

Label: Vinyl on Demand 

Catalogue Number: VOD44

Sleeve Design: Philip Sanderson & Steven Ball. Photography by Steven Ball

 

Notes:

Side A of the LP comprises full length versions of the the first two Storm Bugs singles; namely the Table Matters EP (1980) and the Metamorphose single (1981). Side B contains tracks made with the unique british synthesizer the VCS3. The VCS3 has a matrix pin patch bay in which any module can be connected to any other module, resulting in complex feedback loops and unexpected modulations. The VCS3 tracks are all taken from original Snatch Tapes cassette releases.

 

Review:

Review by Ed Pinsent from: the Sound Projector magazine - 16th Issue.

An extremely satisfying and coherent spin, this excellent LP compiles some of the finest Storm Bugs work released on vinyl and cassette during 1978- 1981. Some of the cuts have appeared on that previous CD compilation Let's Go Outside and Get it Over, but this LP scoops the prize for being more comprehensive and complete, and laying out the songs in a meaningful order. It also follows a schema of sorts ñ side B contains all electronic music, side A represents the 'clunky bedroom' side of the duo, Philip Sanderson and Steven Ball.

 

The 'Table Matters' EP was released on vinyl by Loop Records in 1980; it's five tracks of edgy, clattering mayhem, made with a combination of electronics, radios, guitars, tape loops, percussion and much more. Effectively a Sanderson solo set, this EP displays wild and rugged invention compressed into short bursts of electrifying genius; four of the cuts are only two minutes apiece. Using found spoken word tapes and warped voicings, Storm Bugs deliver something that is not so much a critique of consumerism, as a semi-nightmarish distorted view of shopping in England in 1980, replete with Kwik-Save signs, shoddy goods, and futile attempts to keep customers happy. ëTable Mattersí is almost their Santa Dog; it's a perfect cryptic statement, almost inexhaustible in content, transpires in less than 15 minutes and leaves you feeling troubled for days. Great!

 

We also got both sides of the 'Car Situations' single, of which the flipside 'Tin' is something Sanderson refers to as pseudo-rockabilly using a percussion loop arrived at by very devious means. Yet 'Tin' is as catchy a pop tune as they ever recorded, with some delightful guitar riffing from Ball.

 

Side 2 of the LP features six examples of their work with the VCS3 synth, the Sythi-Bug, and short-wave radio; these are rescued from cassettes released on Sanderson's Snatch Tapes label, including Dark Cuttings, Gift, Storm Bugs and A Safe Substitute. Generally longer than the 'poppy' material on the first side, these extremely strange instrumentals give the impression of something infinite and endless, cautious explorations made across foggy and unknown territories. Both 'Hodge' and 'Blackheath Episode' are exceptionally strong experiments in electronic music, but by the time you're stranded in the middle of 'He Rose Up Again', you will be feeling almost dizzy with the doubt, fear and sheer bewilderment that seems to be embedded in every minute of this music. Ball's abstract scrapy guitar work on 'Hiemal (And She Blew)' is most notable, and it's a shame there aren't more examples of that metallic guitar noise combined so effectively with the VCS3 work; it's one of those rare moments when the separate contributions of the Bugs are fused together perfectly. Sanderson's edgier guitar work is demonstrated on 'Slow Along the Wire', a 90-second miniature of trembling angst.

 

File this alongside the estimable Snatch Paste compilation LP and we have an emerging picture of the Storm Bugs / Snatch Tapes aesthetic. There may not be much of this material available, but Sanderson and Ball are to be commended for the very inventive ways in which they explored their ideas, and they have rendered unique visions of the psychic underside of England, visions as palpable as the monochromatic photograph (by Ball) on the back cover which celebrates the horrors of suburbia with an enquiring eye. credits

 

Ice Yacht - Pillbox

Side A

1. Pillbox 13:30

2. Up and Over 01:28

 

Side B

3. Slow Water 09:09

4. Ice Spikes 05:36

 

All tracks by Philip Sanderson.

 

Credits:

Release Date: 2020

Label: Snatch Tapes

Catalogue Number: tch 219

Sleeve Design: Layout and painting by Philip Sanderson


Reviews:

Review by Frans de Waard - Vital Weekly, number 1243 week 30

 

A few years ago I reviewed 'Pole Of Cold' by Ice Yacht, a musical project by former Storm Bug Philip Sanderson (Vital Weekly 981). Between then (2015) and now, Sanderson became more active and usually under his name. I am not sure why he pulled out the moniker Ice Yacht again unless it is to say that this is something quite different from his other work, which is quite electronic and at times 'poppy' (a term to be used carefully). As Ice Yacht we find him in a more abstract modus operandi. During the April lockdown he went out on the "Romney Marshes to capture ‘wild sound’, be it rusty gates, distant warehouse activity on the river Rother, or short wave radio signals", which back home were moulded into four pieces of music. Sanderson calls it "badly treated and manipulated before being fed into feedback loops", which may suggest something noisy and gruesome and that it surely is not. It is not necessarily very quiet and ambient. Rusty it surely is, and we can connect Ice Yacht to the many musicians working with similar strategies of lo-fi ambience based on field recordings taped onto old cassettes. It lacks Sanderson's current electronic and 'poppy' edge and sees him returning to the loopy scratched records of Storm Bugs, but perhaps less loopy and scratched. Different techniques and more experience in crafting experimental music resulting in thirty minutes of fine sonic bliss and at that, I must say, all too short. I would have loved more of this today. Had I known where I kept the download of the previous one, I would have played that straight after this. Now, I settled for this twice and that also went down well. (FdW) 

 

Review by Neil Kulkarni The Wire September 2020 

Sanderson has also put out new recordings under the name Ice Yacht, and Pillbox is four tracks of purely instrumental composition, wherein his vocal absence allows for a more introspective and wintry unfolding of his fascinations. The two long pieces here are key. “Slow Water" seems to follow an Antarctic dredger through an endless night, signs of life dopplering off downwards from its implacable movement, and "Pillbox" is isolationism par excellence, the terror and beauty of an endless ice shelf surveyed with a laser-like, steadicam feel, before unseen megabeasts start breaking through the mantle and pulling you under. 


Philip Sanderson - The Ringing of a Bell

 

 1. The Ringing of a Bell 16:45

Unknown Bell Ringer: Single Bell Toll.

Philip Sanderson: Sound Manipulation.. 


Credits:

Format: Bandcamp Download

Release Date: 2022

Label: Snatch Tapes

Catalogue Number: None

Sleeve Design: Philip Sanderson 


Notes:

And so the Queen is dead, and the bell tolls 96 times – what can be drawn from this dull and dutiful repetition, dong, dong, dong, neither building nor climaxing, an endless anticipation, a ceremony of the senses, an everything of nothing, a shrill shell. 

 

Let us take just one single toll of the bell and see if out of that metal on metal we can conjure something befitting… 

 

I give you The Ringing of a Bell


Ice Yacht -Noisy Nylon

Side A

1. Nitty Nora (Head Explorer) 03:37

2. Underneath The Underneath 02:42

3. Teen Scene 05:05

4. Dépêche-Toi (Hurry Up) 04:18

5. Break Their Legs so They Can't Lay Eggs 04:17


Side B

6. Running From Ghosts 13:09

7. Jizzy Jazz 05:54


Credits:

Format: MC 30 copies, Bandcamp Download

Release Date: 2022

Label: Snatch Tapes

Catalogue Number: tch 223

Sleeve Design: Philip Sanderson 

 

Notes: Philip Sanderson: various software, vocals, guitar, shortwave radio, MFB Nanozwerg, and artwork.


Reviews:

"...excursions of cosmic music being crushed by the wheels of hard-hitting pop industrialism. A great blast!" Frans de Waard Vital weekly number 1336


Philip Sanderson and David Jackman -Terrain/Adrift

Side A

Terrain (Jackman and Sanderson)

 

Side B

 Adrift (Jackman)

  

Notes:

Three tracks called 'Terrain' were recorded by David Jackman and Philip Sanderson in the Snatch Tapes 'studio' in Paddington, London during the summer of 1980. Side A of the 10 inch features one of these tracks, the second 'Terrain' track appeared on the Jackman/Sanderson tape 0 North in 1981, but has not been re-issued. The third 'Terrain' track became 'Offshore' as featured on the Ritual cassette. The B-side track is from the David Jackman Snatch Tape Adrift.

 

Review:

From: the Wire Magazine by David Keenan:

In light of Throbbing Gristle finally delivering on punkís broken promise to liberate music from "musicians", the UKís underground tape scene became the suppository for some of the most innovative and challenging noises that followed in punkís wake. At the vanguard was David Jackman. Between 1979 and 1983 he recorded a slew of cassettes under his own name before retreating from view under the name of Organum. Recorded in 1980 "Terrain" is a collaboration with Philip Sanderson who ran the Snatch cassette label. Constructed from what sounds like the slowly bowed bass strings of an electric guitar and looped percussion given halos of echo, itís an understated drone piece that eventually builds to nothing. The flipside "Adrift" is much more striking. Oddly melodic is assembled from a repeating bass and an assortment of looped tapes set in a bizarre waltz time. Over a slowly seesawing backing track muzzy choral blasts rise and fall in a pattern that could be the duoís miniature take on Tangerine Dreamís Zeit. "Adrift was originally the tittle track of a solo Jackman cassette released by Snatch in a run of 20 copies in 1981.Though Die Stadt pressings donít exactly reach mass circulation figures either, the tracks reappearance here is as welcome as it is surprising.

 


Philip Sanderson - Seal Pool Sounds Limited Edition Box

A box set version of the Seal Pool CD limited to 25 copies. As well as the main Seal Pool CD, it includes an additional CD-R with two long drone tracks. All the boxes are hand made in Japan by John Podeszwa and feature various photographs and ephemera sourced by him.

Tracklisting 

CD as per regular Seal Pool Sounds

CD-R:

Fluorescent

Osaka by Night

 

Credits

Format: CD 25 of 500 copies, CD-R/Box, 25 copies

Release Date: 2005

Label: Seal Pool

Catalogue Number: None

Sleeve Design: John Podeszwa


Philip Sanderson - Rumble of The Ruins

Side A

1 Rumble of The Ruins 02:23

2 Window Sill 02:18

3 The Elephant's Eye 03:00

4 Raven Row (You Know How it Goes) 03:06

 Funicular Freedom 04:11


Side B

6 Au Coin Du Jardin 4.34

7 Funny Money 03:35

8 If You Take a Table 02:31

9 The Golden Fleet 04:12

10 Broken Morning 06:58

 

All tracks by Philip Sanderson

 

Credits:

Format: Cassette, 25 numbered copies

Release Date: 2020

Label: Snatch Tapes

Catalogue Number: tch 219

Design: Layout/ paintings by Philip Sanderson


Reviews:

Review by Ed Pinsent from the Sound Projector 27/07/2020

Last heard from Philip Sanderson with his very good LP On One Of These Bends, lovingly presented as a vinyl edition in an expensive jacket by Séance Centre of Canada. Today’s Sanderson item is Rumble Of The Ruins (SNATCH TAPES TCH 2020), a Bandcamp-only thing with a cover featuring a painting by the man himself – he seems to be making a venture in exploring the history of 20th-century European fine art on his own terms, turning in a mysterious tableau that contains faint traces of Paul Klee, Léger, and de Chirico.

 

Musically, Sanderson is getting back to what he does so well – songs and electronica, a form of synthop with drum machines and treated vocals, produced in a very eccentric DIY post-punk manner. This is quite different to the lush, soundtrack-y productions we heard on On One Of These Bends, and there’s a lot to be said for the immediacy of these concise and assured ditties, most of them clocking in at traditional pop-song length of three minutes. Sanderson may make it seem easy, almost throwaway at times, but I suspect there is a lot of craft underlying these songs, both in terms of composition, lyrical content, and sheer effort spent programming and overdubbing (or however he created it). Each song sounds both jaunty and slightly unsettling in equal measure; I’m not sure what is causing this impression, but while the rhythms are upbeat and foot-tappingly catchy, the melodies keep veering towards a darkened minor key, and the song delivery has a strange urgency to it.

 

That’s not to mention the lyrics, which today strike me as fairly bonkers (in a good way) – like an update on the king of balmy, red wine-soaked laissez-faire, Kevin Ayers. If I explored this pathway any further, we might end up making a case for situating Philip Sanderson in a line with other 1970s English songwriting eccentrics, such as Robert Wyatt, Eno, Pete Sinfield and Peter Hammill. I mention this as I think it’s a dimension of Sanderson’s considerable skillset which isn’t spotlighted too often, as he’s more often pegged as a cassette band / post-punk / noise artist. Personally, I also prefer his song-based work to the all-instrumental music of records like Seal Pool Sounds (2005). From 15th January 2020.

 

www.thesoundprojector.com/2020/07/27/fragments-shored-against-my-ruins/

 

Review by Neil Kulkarni The Wire September 2020

How odd l was listening to Hood's Cold House the other day and it's amazing how close Rumble Of The Ruins by Storm Bugs' Philip Sanderson shears to that period of post-rock where underground rock fans admitted they loved both Justin Timberlake and Disco Inferno. There's a similar fondness for startlingly poppy textures, a similar pleasure in the detournement of those sounds for determinedly art rock ends.

 

Sanderson's voice- check out the Canterbury via Medway psychness of "Window Sill" - now has a wonderfully unmannered, conversational feel, and the same talents in collage and subtle derailment of sources that he's made so evident in his Storm Bugs work are still present. It's the decision making within that process that's key, and Sanderson knows what to treat and what to leave untouched. So the poppiest choruses get deliberately amplified until they get glassy eyed and unsettling, the strange sonic detritus that populates these songs always executed and jettisoned before anything can detract from the melodic strength. "The Elephants Eye" and “Raven Row (You Know How It Goes)" deliver a flavour of what Kevin Ayers might cook up if he were alive and forced to work with the Residents.

 

Various Artists: Close To The Noise Floor: Formative UK Electronica 1975-1984

DISC ONE:

1. FIVE TIMES OF DUST – Computer Bank

2. THE KLINGONS – R.A.M.

3. CHRIS AND COSEY – Re-Education Through Labour

4. MALCOLM BROWN – Sedation Strokes

5. STORM BUGS – Little Bob Minor

6. THOMAS LEER – Tight As A Drum

7. BLANCMANGE – Holiday Camp

8. INNER CITY STATIC – Fractured Smile

9. WE BE ECHO – Sexuality

10.BOURBONESE QUALK – God With Us

11.NAGAMATZU Faith

12.O YUKI CONJUGATE – Disco Song

13.BRITISH ELECTRIC FOUNDATION – Optimum Chant

14.KEVIN HARRISON – All Night Long

15.VOICE OF AUTHORITY – Stopping And Starting

 

DISC TWO:

1. COLIN POTTER – I Am Your Shadow

2. BRITISH STANDARD UNIT – D’Ya Think I’m Sexy?

3. FIVE TIMES OF DUST – The Single Off The Album

4. SPÖÖN FAZER – Back To The Beginning

5. GERRY AND THE HOLOGRAMS – Gerry And The Holograms

6. THE PASSAGE – Drugface

7. JOHN FOXX – A New Kind Of Man

8. 100% MANMADE FIBRE – Green For Go

9. THOSE LITTLE ALIENS – Sentimental

10.FINAL PROGRAM – Protect And Survive

11.THE HUMAN LEAGUE – Being Boiled

12.INSTANT AUTOMATONS – New Muzak

13.CULTURAL AMNESIA – Materialistic Man

14.WORLDBACKWARDS – (Leaving Me) Now

15.ALAN BURNHAM – Music To Save The World By

16.ORCHESTRAL MANOEUVRES IN THE DARK – Almost

17.EYELESS IN GAZA – Kodak Ghosts Run Amok

18.SCHLEIMER K – Broken Vein

19.NATIVE EUROPE – The Distance From Köln

 

DISC THREE:

1. ZORCH – Adrenalin (Return of the Elohim Pt 1)

2. SEA OF WIRES – Robot Dance

3. RON BERRY – Sea Of Tranquility

4. MFH – Mistral

5. ADRIAN SMITH – Joe Goes To New York

6. MARK SHREEVE – Embryo (Extract)

7. EG OBLIQUE GRAPH – Triptych

8. CARL MATTHEWS – Encounter

9. PAUL NAGLE – Ynys Scaith

10.O YUKI CONJUGATE – Sedation

11.KONSTRUKTIVIST – Western Vein

12.ATTRITION – Dead Of Night (Excerpt)

 

DISC FOUR:

1. THROBBING GRISTLE – What A Day

2. A TENT – No Way Of Knowing

3. PORTION CONTROL – Go For The Throat

4. DC3 – Eco Beat

5. RENALDO AND THE LOAF – Dying Inside

6. BLAH BLAH BLAH – In The Army

7. LEGENDARY PINK DOTS – God Speed

8. MUSLIMGAUZE – Muslin Gauze Muslim Prayer

9. SUISSE – Live At Longborne

10.ALIEN BRAINS – Menial Disorders, Extract B2

11.STORM BUGS – Himeal (And She Blew)

12.THIRD DOOR FROM THE LEFT – In The Room

13.AL ROBERTSON – Dignity Of Labour

14.bcGilbert, gLewis, russell Mills – Mzui (Extract)

 

Credits:

Format: 4 X CD plus booklet . Also issued as double LP.

Release Date: 2016

Label: Cherry Red 

Catalogue Number: CRCDBOX24

 

Notes:

A 4CD, 60-track set exploring the origins of electronica in the UK with a 48pp booklet with artists' sleeve notes and an essay by Dave Henderson. From the Cherry Red Press Release: "Featuring tracks from key figures from the cassette label underground alongside early releases by future stars of the movement." Alonside the likes of the Human League you get two Storm Bugs tracks as well as Alien Brains, Cultural Amnesia, and Sea of Wires all of whom appeared on early Snatch Tapes compilations. An edited double LP version was also released containing one Storm Bugs track.

 


Storm Bugs - Table Matters

Side 1

Cash Wash

Eat Good Beans

Make Customers Matter

 

Side 2

Window Shopping 

Our Main Objective

 

All tracks by Philip Sanderson.

 

Credits:

Format: 7-inch EP. 500 copies.

Release Date: 1980

Label: Loop records

Catalogue Number: 

Sleeve Design & Photography: Steven Ball

 

Notes:

The Storm Bugs 7-inch EP on black vinyl in a printed cover with white labels featuring a small sticker. The cut up sleeve shows photographs taken in and around Charring Cross Rd circa 1979. The image of the mannequins in the top left and right corner was used for the labels of Up the Middle Down the Sides. The image at the top of the page is of the printed sleeve but there were two other alternate photocopied sleeve designs. The records were pressed a couple of months before the printed sleeves were ready thus the first 50 copies (or so) came with a folded screen printed insert. One or two copies were also sold with one-off collages by Sanderson. The remaining 450 copies have the printed sleeve.


Storm Bugs - Slice of Live

Intro/Portapak/Pity the Small/Dull Sound of Breath/Window Shopping

The first 15 minutes of the Storm Bugs performance recorded live at Limehouse Town Hall on Saturday 7th July 2012.

 

Philip Sanderson/Steven Ball: loops, samples, electronics, vocals

 

Credits:

Format: Digital/Bandcamp

Release Date: 2013

Label: Snatch Tapes

Catalogue Number: none

Sleeve Design: Philip Sanderson & Steven Ball

 

Philip Sanderson - On One of These Bends

 

Side A

A1. Bright Waves

A2. Tale Chase

A3. E for Echo

A4. Viewfinder

A5. Everything He is Not

A6. On One of These Bends

Side B

B1. This is Not a Game

B2. Mixing Drinks & Aeroplanes

B3. Scene of the Crash

B4. Echo Complex

B5. Watertight

B6. Maps

B7. Looking Back

 

All music and lyrics by Philip Sanderson except: Bright Waves (Sleesenger/Sanderson/Tallis), Viewfinder (Sanderson, Denton), This is Not a Game (Sanderson, Ball). Philip Sanderson plays: VCS3, vibraphone, DX7, Roland SH-101, Roland TR-606, Revox tape delay, acoustic guitar, Yamaha FB-01. With: Bright Waves - vocals Nancy Slessenger. E for Echo - voice over Patricia Hosking. Viewfinder - guitar Michael Denton. This is Not a Game - keyboards Steven Ball, voice over Patricia Hosking & Tony Raven. Mixing Drinks & Aeroplanes - vocals Naomi, fretless bass Steve Rose, vibraphone Michael Denton. Maps - vocals Naomi.

 

Credits:

Format: LP, 500 copies

Release Date: 2018

Label: SÈance Centre

Catalogue Number:1SC

Sleeve Design: Alan Brian. Rear sleeve photograph by Philip Sanderson. Front images from various films by Philip Sanderson, and Philip Sanderson & Steven Ball.

Remastered from the original reels by Brandon Hocura

 

Notes:

From the back sleeve: On One Of These Bends is a collection of unreleased songs, soundtrack work and obscure cassette-only pieces from the 1980s which reflect a shift in focus towards film and moving image. It was a departure from the more industrial music Philip Sanderson had been making with his group Storm Bugs, having more in common with Nino Rota and Henry Mancini, albeit as seen through a DIY lens, and with a reel-to-reel orchestra comprised of an EMS VCS3, vibraphone, DX7, Roland SH-101, Roland TR-606, tape delay, acoustic guitar, fretless bass and Yamaha FB-01. On two numbers, Philip jokingly asked an American chanteuse to "sing it like a cross between Streisand and The Shangri-Las", and to his surprise she did. Counterpointing this are tracks such as E For Echo made with just an acoustic guitar, and the very first piece Bright Waves which combines the choral vocal talents of Nancy Slessenger with a Revox tape delay system, originally released on Snatch Tapes under the pseudonymous Claire Thomas & Susan Vezey.

 

These tracks are presented with the "picture turned down" so to speak, and as such the music acts as a kind of memento mori for the absent moving images, and maybe even for the decade itself. Remastered from the original reels, DMM pressing. 

 

Storm Bugs - A Safe Substitute

Side 1

Mesh of Wire

Objective

Car Situations

 

Side 2

Hodge

Solely From

Blackheath Episode

 

Credits:

Format: Cassette, 80 copies

Release Date: 1980

Label: Snatch Tapes

Catalogue Number: TCH110

Sleeve Design: Steven Ball. Photocopy onto red card. The image on the cover is from the Storm Bugs Super 8 film Table Matters

 

Notes

Re-issued on red vinyl in 2011 by Harbinger records. Side 1 of the tape is a long collaged piece, mixed by Philip Sanderson in one take with several Revox reel to reel and VCS3's running simultaneously and much on the fly remixing, filtering and application of treatments. Side 2 features three VCS3 sequencer tracks by Sanderson. The following notes were added to the 2011 LP re-issue.

 

Side One

 

Mesh of Wire

2:00

Philip Sanderson: Vocals, tape delay, VCS3

The tape delay system employed two Revox tape recorders placed about 4 feet apart. The first machine recorded the signal onto the tape, which then stretched across the room to a second playbackmachine. By routing the signal back tothe first machine a long delay or feedback loop was set up. The lyrics describe a lysergic-fuelled evening in suburbia.

 

Objective

4:15

Sarah Pomeroy: Guitar/VCS3

Philip Sanderson: VCS3, tape loops, tape delay

Objective features a slow VCS3 sequence overlaid with ring modulated vocal loops (extolling the merits of good quality beans) and a warped woodwind and brass duet. The woodwind part was found on an old tape in the studio cupboard whilst the second part was created by feeding a guitar played by Sarah Pomeroy into an EMS pitch to voltage converter and using the signal to control the sine wave on theVCS3.

Car Situations

7:05

Steven Ball: Vocals, percussion, ring modulator

 

PS: VCS3, tape loops, tape delay

Sanderson and Ball had recorded a track called 'Car Situations' in Sanderson's Paddington flat. The vocal part was fed through the VCS3 ring modulator and combined with a sequencer pattern. The pace of the rhythm is upset by a low frequencyoscillator, which causes the pitch to drop at unexpected moments. As the track progresses percussion sections from the 'Nein Nein Nein' recording are gradually mixed in until they obliterate everything else.

Mesh of Wire (reprise)

3:24

Philip Sanderson: VCS3, vocals, tape delay

 

 

Side Two

Hodge

6:41

Philip Sanderson: VCS3, short wave radio

Hodge features a short wave jamming signal which was being broadcast from somewhere behind the Iron Curtain to block Radio Free Europe transmissions.The radio sound was fed through the VCS3 with the low frequency oscillator chopping the signal up into chunks.

Solely From

6:38

Philip Sanderson:VCS3, sequencer

A straightforward contest between the sequencer and one VCS3 using all three oscillators and pushing the spring reverb into distortion.

Blackheath Episode

4:47

Philip Sanderson: VCS3, sequencer

The last track used all three of the studio's EMS synthesizers. The Synthi A is driven by the sequencer to provide the main rhythm track whilst the other two VCS3s play the background drones.

 

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